No. 17 (15): El Hilo de la Fabula

El Hilo de la Fábula

Presentation

7
- Texto Completo (Spanish)

Prólogo

Foreword

9-13
- Texto Completo (Spanish)

Uno, pasión intacta (un lugar para la teoría)

Ítalo-brasilianidade "gaúcha" as a way of life

Maria Catarina Zanini, Miriam de Oliveira Santos

17-32
- Texto Completo (Spanish)

Dos, saberes migrantes (circulaciones del saber, disciplinas, sujetos, etc)

Migrant knowledge

Oscar Ramón Vallejos

35-36
- Texto Completo (Spanish)
Innovators, creative adaptations and "national" projects. The circulation of ideas in the Argentine social sciences (1950-1976)

Gastón Julián Gil

37-53
- Texto Completo (Spanish)
Intersexual debates between Colombia and Spain. On the scientific theories of the Spanish physician Gregorio Marañón y Posadillo (1887-1960) and the normativization of intersex bodies in Colombia in the first half of the 20th century

Sara Lugo-Márquez

55-71
- Texto Completo (Spanish)

Seis, múltiples moradas (un lugar para los pasajes discursivos)

Galceran by Piñeyro: a transposition from theater to cinema

Alfredo Dillon

75-85
- Texto Completo (Spanish)
Fundamental objetalities: a look from the Visual Studies

María Elena Lucero

87-101
- Texto Completo (Spanish)

Siete, después de Babel (un lugar para la traducción y la tra-dicción)

Reflections on self-translation from the author's point of view

Ana Cecilia Prenz Kopusar

105-116
- Texto Completo (Spanish)
The presence of the absent. Phonic keys for the Shakespearean translation

John Douglas Sanderson

117-131
- Texto Completo (Spanish)

Dossier

Why translate the (not so) classics? Argentine translations of Latin texts

Ivana Chialva, Milena Frank

135-140
- Texto Completo (Spanish)
Sartor Resartus: the trade of translating Virgilian centones

Marcos Carmignani

141-153
- Texto Completo (Spanish)
About the translation of Catullus's poems

Lía Galán

155-161
- Texto Completo (Spanish)
You to the tavern, you to the bowling alley (Catulo, Carmen 37)

Gabriela Andrea Marrón

163-176
- Texto Completo (Spanish)
Legible spaces: the translation in the margins of the canon.

Alicia Schniebs

177-186
- Texto Completo (Spanish)

Cinco, escenas de la vida académica

Zama, the American tragicomedy

Rafael Arce

193-198
- Texto Completo (Spanish)
The monkey in the swirl. Notes on Zama by Lucrecia Martel.

Selva Almada

189-192
- Texto Completo (Spanish)
The movie that was not

Jimena Néspolo

199-206
- Texto Completo (Spanish)

Seis, glosa(s) (un lugar para el comentario y la información)

Memory and autoficción in We were all children, by María Rosa Lojo.

Alicia Josefina Ganuza

209-210
- Texto Completo (Spanish)
Text and image antinomies? The book-album as a meeting point.

Lorena Sánchez

211-212
- Texto Completo (Spanish)

Siete, la letra estudiante (un espacio joven)

Susana Thénon, a voice outside the canon

Manuela Morrone

225-235
- Texto Completo (Spanish)
Between literature and dance: a semiotic study of the transposition of El Quijote

Sofía Dolzani

215-224
- Texto Completo (Spanish)
The poetics of Beatriz Vallejos and Juan L. Ortiz: a reading of the Zen diaspora

Abigail Raynoldi

237-245
- Texto Completo (Spanish)

Full Issue

El Hilo de la Fábula

Presentation

Prólogo

Foreword

Uno, pasión intacta (un lugar para la teoría)

Ítalo-brasilianidade "gaúcha" as a way of life

Dos, saberes migrantes (circulaciones del saber, disciplinas, sujetos, etc)

Migrant knowledge

Innovators, creative adaptations and "national" projects. The circulation of ideas in the Argentine social sciences (1950-1976)

Intersexual debates between Colombia and Spain. On the scientific theories of the Spanish physician Gregorio Marañón y Posadillo (1887-1960) and the normativization of intersex bodies in Colombia in the first half of the 20th century

Seis, múltiples moradas (un lugar para los pasajes discursivos)

Galceran by Piñeyro: a transposition from theater to cinema

Fundamental objetalities: a look from the Visual Studies

Siete, después de Babel (un lugar para la traducción y la tra-dicción)

Reflections on self-translation from the author's point of view

The presence of the absent. Phonic keys for the Shakespearean translation

Dossier

Why translate the (not so) classics? Argentine translations of Latin texts

Sartor Resartus: the trade of translating Virgilian centones

About the translation of Catullus's poems

You to the tavern, you to the bowling alley (Catulo, Carmen 37)

Legible spaces: the translation in the margins of the canon.

Cinco, escenas de la vida académica

Zama, the American tragicomedy

The monkey in the swirl. Notes on Zama by Lucrecia Martel.

The movie that was not

Seis, glosa(s) (un lugar para el comentario y la información)

Memory and autoficción in We were all children, by María Rosa Lojo.

Text and image antinomies? The book-album as a meeting point.

Siete, la letra estudiante (un espacio joven)

Susana Thénon, a voice outside the canon

Between literature and dance: a semiotic study of the transposition of El Quijote

The poetics of Beatriz Vallejos and Juan L. Ortiz: a reading of the Zen diaspora

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