Intertextuality: literature and cinema

Authors

  • Teresa de Lauretis Universidad de California

DOI:

https://doi.org/10.14409/hf.19.22.e0015

Keywords:

Wal Lewton, Jacques Tourneur, Jean Rhys, Ancho mar de los Sargazos, I Walked with a Zombie, Manuel Puig, El beso de la mujer araña

Abstract

This article is about some uses of intertextuality between cinema and literature. I Walked with a Zombie (1943) is the second of nine films produced by Val Lewton that shaped the horror genre and had a lasting influence on the language of cinema. Reframing the classic Victorian novel Jane Eyre in a Caribbean setting, the film outlines the faultlines of the European colonial enterprise long before the advent of postcolonial studies. Jean Rhys’s partly autobiographical novel Wide Sargasso Sea (1966) rewrites Jane Eyre in a feminist and postcolonial perspective from the point of view of «the madwoman in the attic». In Manuel Puig’s novel Kiss of the Spider Woma, cinema and films, including I Walked with a Zombie, are the intertextual means to the creation of literary character and the figure of a love that has no name.

Published

2021-12-17

How to Cite

de Lauretis, T. (2021). Intertextuality: literature and cinema. El Hilo De La Fabula, (22), e0015. https://doi.org/10.14409/hf.19.22.e0015

Issue

Section

Cinco, múltiples moradas (un lugar para los pasajes discursivos)