Cinema Without a Boss: Printed in Chilavert
Impreso en Chilavert
DOI:
https://doi.org/10.14409/culturas.v0i12.7807Keywords:
recovered factories, workers, representation, audiovisualAbstract
Factories and recovered enterprises attracted the curiosity of local journalists and foreign researchers and filmmakers who pointed their cameras to the conflicts, creating representations, discourses and memories of these historical processes. Therefore, audiovisuals which deal with this topichave those workers and their problematic as protagonists. How are those workers that, afterthe appropriation of the factories under self–management,find new ways of production and new ways ofrelating to each otherportrayed in this audiovisual? In Printed in Chilavertwe analizeone of the most interesting experiences; its aesthetic and narrative, its successes and failures, its formal and informal searches, its academic and political searches.All these are discussed in relation to other audiovisuals produced about this topic.
