Disputes and inscriptions over memory in Rafaela

Artistic activism of the Truth and Justice Space for Silvia Suppo between 2010 and 2014

Authors

  • Silvia Dejon Facultad de Ciencias Sociales y Humanidades. Universidad Nacional de Rafaela / Centro de Estudios Interdisciplinarios del Litoral. Universidad Nacional del Litoral

DOI:

https://doi.org/10.14409/culturas.2024.18.e0040

Keywords:

artistic activism, memory, collective action, action repertoires

Abstract

This paper aims to analyse the different artistic productions carried out by the “Truth and Justice Space for Silvia Suppo “to dispute in the public space the meaning of Silvia Suppo’s death. She was a witness in one of the trials against Humanity in Santa Fe, the so called “Causa Brusa”. The proposal is to recover the forms of deployment of artistic activism that the collective carried out between 2010 and 2014. Silvia Suppo’s photography as an instrument of denunciation. Murga interventions in marches as a form of disruptive actions. The creation of murals in central neighbourhoods as a way of installing visual signifiers. The production of the documentary SILVIA, as an aesthetic production that enables the extension of representation beyond the local.

Tapa - Revista Culturas Nº 18

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Published

2024-12-30

How to Cite

Dejon, S. (2024). Disputes and inscriptions over memory in Rafaela: Artistic activism of the Truth and Justice Space for Silvia Suppo between 2010 and 2014. Culturas, (18), e0040. https://doi.org/10.14409/culturas.2024.18.e0040

Issue

No. 18 (2024): Culturas

Section

Artículos / Eje 1: Espacio público, prácticas artísticas y política

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